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While I can appreciate a titillating suggestive lyric in a pop song, I believe even the low-minded can be artfully rendered. And I’d argue that the man most associated with lyrical sexual innuendo was hardly its most literate or proficient practitioner.
Prolific? I’ll give him that. It’s almost be simpler to name the Prince songs that don’t feature bawdy double entendre than it is to give examples of his, uh…dirty mind. I won’t bother.
Popular? A hundred million sold, as McDonald’s used to say.
I’m just here to say he sucked at it.
So if you think
Cream
Get on top
Cream
You will cop
Cream
Don’t you stop
Cream
Sh-boogie bop
…is as high-minded as lowbrow gets, I’ll see your Purple One and raise you one Ian Anderson, front man of English art rockers Jethro Tull.
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Singer-songwriter-flutist-guitarist and all around mischief maker Anderson rose to the occasion when it came to penning innuendo-laced lyrics, then set them in some of the most ambitiously ornate musical arrangements you’ll hear.
If his mind was in the gutter, his oldfangled English was strictly front parlor. His command of the language turned innuendo into high art. Check out “Hunting Girl” from 1977’s Songs from the Wood: